About the studioWho we are and how the cloth is made
Umber Isle is a two-person dye house in a converted boathouse on the north shore. We buy undyed European linen, cut and sew it ourselves, then colour it in open pots over a wood stove. Every run is dated and numbered, so no two shelves of ours ever match — which is rather the point.
FeaturedThe Tide Letter, No. 24Madder root, low autumn light, and the last dye pots of the season
This month's letter follows a single madder harvest from the raised bed behind the boathouse to a finished run of twelve tea towels — including the two that came out wrong and what we did with them.
From the studio
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Linen goods, small batchAprons, tea towels and table linen in twelve-piece runs
Each run is dyed in one pot on one day, then hung on the line outside. Sizes and remaining stock are listed by run number.
The remnant shelfOne-offs and second-quality cloth at studio prices
Pieces with an uneven take, a short measure or a sample colour we won't repeat. Perfectly sound cloth — just not what we set out to make.
Custom dye commissionsSend your own cloth; we match it to a shoreline palette
Natural fibres only — linen, hemp, cotton and wool take our dyes well. We open a handful of commission slots at the start of each season.
Read & listen
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The Tide Letter archiveEvery issue since the first winter on the island
A slow letter, sent once a month. Dye recipes, a weather note, and whatever the shore turned up that we couldn't stop thinking about.
Field notes journalDye plants, weather, and what the tide leaves behind
Shorter and messier than the letter. Photographs of half-finished pots, plant identifications we got wrong, and the occasional good one.
Slow Water, the podcastLong conversations with makers who work at the coast
Recorded at the kitchen table with whoever has come to visit — boat builders, net menders, a retired lighthouse keeper. One episode a season.
Learn & visit
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Natural dye workshopsTwo-day classes in the boathouse, six people at a time
Mordanting, three dye baths and an iron dip. You leave with four dyed pieces, a recipe book and stained hands. No experience needed.
Studio open hoursWhen the doors are unlatched and the kettle is on
Open afternoons run through the warmer months. Come and see the drying line, look through the seconds bin, and stay for tea if the weather turns.
Wholesale & stockistsFor shops that keep honest, slow-made things
Small minimums, long lead times, and colour that will vary between runs. We take on a few new stockists each year and like to know the shop first.